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Starting strong, I would almost consider this Asterion's main theme. An instrumental piece with a simple melody, it's not overly complex, or flashy. It's a soothing tune, but it doesn't have the slowness associated with other calm music. It's lighthearted, but not whimsical. Hopeful, but not joyous. And overall a great piece for Asterion.
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If you don't like orchestral film scores, this is probably not the playlist for you. Forbidden Friendship barely edged out Through Heavens Eyes. This song is great for the more intense or dramatic moments of Asterion's existence. I use a ton of Dreamworks songs for these moments, when I need something more powerful. However despite that it still contains the same childlike lightheartedness, and it's almost certain to bring a smile.
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Cat Stevens is awesome. His heartfelt music keeps the same calm and light themes of prior entries on this list. However Steven's music is filled with a soul that almost seems faithful. This fits well with Asterion's value in faith, without taking it away from his roots. Other songs that lost to Morning has Broken include Father and Son, and Oh Very Young.
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"More orchestral film scores Shrub?" I hear you asking. Well, yes! You can't tell me what to do! Chevaliers de Sangreal occupies a weird spot for Asterion. It has been described as having a cathedral feel, that fits well with Asterion's faithfulness. It's also got an air of mystery and discovery to it, that in some cases fits. In all, a powerful, moving score that fills a similar spot to Forbidden Friendship above. It's far far too grandiose, but I'm allowed to indulge.
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Finally lets end with something really oldschool. The Gymnopédies are considered to be one of the most relaxing pieces of piano ever written. They're really nothing more than atmospheric pieces. No soaring melodies or powerful beat. Does it fit Asterion perfectly? No. Will it get you to take a deep breath, relax, and take the time to smell the roses? For sure!
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